Wednesday, March 29, 2017

Writing, rewriting, giants and babies

Chris Haughton's starry night in Goodnight Everyone gets the Baby Bookclub treatment
I've been busy with the Patron of Reading thing lately and it has been a hoot. The baby book club is proving a riot every time and it seems that everyone involved is really enjoying it: babas, toddlers and grown-ups. It is very rewarding to see people coming back and asking for more; even more rewarding to see the little ones rush over to the mats and wait excitedly for the story to begin. And what to say about the preschoolers who bring in their favourite books to show the rest of the group (unprompted) or the stories of terrible-twos who had no time for story-time and who now will grab their grown-up and demand a book be read to them? All of these milestones in the life of a young reader I am totally claiming as a benefit of Baby Book Club. Totally and totally shamelessly. Ahem...
First Class are giants today
I've also been busy trying out new material on my very willing guinea pigs (sorry, kids): doing a poetry workshop with Second Class (of all things!) and, especially, bringing out Disaster David to various school visits.
He has proved a very likeable hero and we've had great fun reading about his antics and creating some new ones for him.
An interesting aspect of this for me has been rewriting the text for a younger audience (of infants classes). A simplified version, with a bit less poetic imagery but a stronger purpose. Which has me wondering why I didn't write it like this in the first place? Writing simply has always been an issue for me; that is one of the reasons I started writing in English, thinking I wouldn't be able to indulge in fancy language as much in a foreign tongue. It worked for Beckett, but I'm not sure it has for me! (The other reason for writing in English was to stop sneaking in heaps of internal rhyming as I do in French; this has been a lot more successful as I can't seem to rhyme in English.)
After-school writing club has been good fun too, with highs and lows, as in everything. It always amazes me how much talent there is going round and how different the creative sensibilities.

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